Within days, Arrigo Boito started sketching a libretto for Verdi, a letter between the two recalled.
Verdi may have attended the Rossini version at Milan’s Teatro all Scala during the 1834-35 season, according to Mary Jane Phillips-Matz’s “Verdi: A Biography.” During an 1878 dinner in Milan with music editor Giulio Ricordi, Verdi said the conversation turned to a discussion of Francesco Berio di Salsa’s libretto for Rossini, which they deemed undramatic and unsatisfactory.
And the thing that I appreciate about Opera Philadelphia is they have really doubled down on their commitment to diverse casting, to make sure that the stage looks like a representation of the people in the city.” “You’ve seen musical theater show and represent much more openness to cast people in roles that were I guess historically considered Caucasian, even though maybe some of them didn’t necessarily say specific Caucasian man or Caucasian woman. “I’m finally getting the chance to sing this role that I’ve always wanted to sing that has been a limitation because of my color,” Brownlee said. Brownlee was to have sung Rodrigo in a 2016 production at the Austria’s Theatre an der Wien but said he was dropped because the director could not envision a Black Rodrigo. There is the additional element of race: Shakespeare based “Othello” on Cinthio’s short story “Un Capitano Moro (A Moorish Captain).” Brownlee, a 49-year-old from Youngstown, Ohio, and Gwenxane are both Black. debut and Alek Shrader as Iago - Rossini’s version isn’t easy to cast. With three tenor roles - Brownlee as Rodrigo, Khanyiso Gwenxane as Otello in his U.S.
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